1989 Kramer Gorky Park Electric Guitar

Let’s start with Kramer. Kramer began back in 1975-76 with the cool idea to make guitars with aluminum necks inspired by Travis Beans, in itself a neat story. The main people were New York music store owner Dennis Berardi, and Gary Kramer, who subsequently hooked up with former Gibson marketer Peter LaPlaca of Chicago. Kramer quickly left and Kramer (the company) went on to create some truly great guitars. In the early ‘80s, as Strat-style guitars began to take the world by storm, Kramer began a transition to wooden necks. Guitars like the Strat-style Kramer Pacer became extremely popular. Big endorsements by top players like Eddie Van Halen, Richie Samboro, and Elliott Easton didn’t hurt either!

By the mid-‘80s Kramer’s pointy droopy headstock, while an anathema to snooty vintage guitar fans, was in the hands many top and aspiring guitar slingers. In 1984 Kramer made the fortuitous decision to start selling budget versions of its own guitars, Focus from Japan and Striker from Korea, to further cultivate fands for the brand. By the beginning if 1987 Kramer was making and selling more guitars than another other guitar company! What could go wrong?

1989 Kramer Gorky Park Electric Guitar

Many of the guitar players who favored Kramers were in the hard rock and pop metal bands that had become popular in the mid-‘80s as interest in punk and New Wave began to wane. Centered in L.A., this rock movement mostly featured guys in tight glam Spandex outfits with long, ratted and teased poofy hair. “Hair bands!” Catchy melodies, a hard backbeat, and lots of rifferama.

Enter Mother Russia. About the same time Kramer began importing guitars, 1985, Mikhail Gorbachev took control of the Communist Soviet Union and began a process of liberal reforms. Among those were a toleration of underground music such as rock and a relaxation of travel restrictions.

In 1987 singer Nikolai Noskov, Sasha Minkov on bass, Sasha Lvov on drums, and Jan Ianenkov on guitar formed a rock band called Gorky Park, named after the big public Moscow park in honor of Maxim Gorky. The band was able to travel to the US and soon acquired champions including Frank Zappa and Kramer advocates Jon Bon Jovi and his axeman Sambora. In 1989 the band’s self-titled album debuted and they scored three successive hits and MTV rotation, the first popular Russian hair band.

1989 Kramer Gorky Park Electric Guitar

Probably through the Sambora connection Kramer’s Dennis Berardi became interested in the band and formed a management company to handle them. The Kramer Gorky Park was intended to be a promotional item in support of that effort.

Built for Kramer in Korea and introduced in 1989 or early 1990, the Gorky Park had a cool balalaika shape and graphics and signature of the band. Ballalaika. Russia. Geddit? The guitar really wasn’t all that bad, actually. It has one hot Seymour Duncan humbucker and a licensed Floyd Rose.

Unfortunately, the Gorky Park arrived just in time to see everything crumble. In 1989, the Iron Curtain came down, as Berliners attacked the Berlin Wall and dismantled it. I still have a piece in a box my parents gave me as a present! Gorky Park returned to the exuberance of liberation in Russia. Alas, the enthusiasm for hair bands in the US was also beginning to crumble as alternative rock represented by the Seattle Sound was coming on. Lastly, Kramer guitars itself had become a house of cards and was beginning to crumble. Bad management and other bad things began to undermine it—it probably didn’t help that Berardi was off focusing on Gorky Park. By the end of 1990 Kramer guitars also collapsed.

Whether the Gorky Parks were ever even distributed is unknown. How many exist is also unknown. Many of them were bought up (or turned over) to some large dealers, as I recall, and were liquidated for like $149 apiece. Gorky Park, the band, continued to be popular in the former Soviet Union, but became mostly a footnote to ‘80s rock and guitar history. Today these guitars show up every so often and can actually trade for quite a bit more than the clearance price! In the early 2000s the Kramer name was sold to Gibson by its owner, Henry Vaccaro, a former principal in Kramer, in order to finance the now-defunct Vaccaro Guitars venture. Like the Gorky, modern Kramers are budget imports, but with no connection to the former Soviet Union!

Hair Bands, Soviet Russia & the 1989 Kramer Gorky Park Electric Guitar from MyRareGuitars.com

A few Hond guitar headstocks…

It’s not very fashionable, I know, but I like ‘80s music. I should be too old for it, but I sat out the ‘70s listening to acoustic music from the 1920s and ‘30s and playing classical guitar. I began listening to rock again in the early ‘80s, beginning with Ozzy and Randy Rhoads. Boy could he play! Anyhow, the metal, hair, and power pop bands of those days all put good, strong guitar soloing up front in the mix, and I enjoyed it. (I automatically block out vocals and lyrics, by the way, so I pay no attention to them!) Among the bands I liked was the Canadian outfit Loverboy, who had a hot lead guitarist in Paul Dean. You may be aware of the rare Kramer Paul Dean Signature guitar, but you are likely to be surprised that there was in fact an earlier “signature” model produced by Hondo, of all people! Indeed, several!

1983 Hondo Paul Dean II Electric Guitar (Hondo PD-2)

Loverboy was founded in Calgary in 1980 and released its first record in Canada in that year. They caught on big and for most of the decade cranked out hits including probably their signature tune, (Everybody’s) Working for the Weekend. It didn’t take long for guitarist Dean to begin working with guitarmakers on a guitar design he could call his own. Apparently he had some prototypes made by a Western Canadian company, though those my never have gone into production.

At some point thereafter he apparently hooked up with Jerry Freed of International Music Corporation (IMC) of Fort Worth, Texas, the owner of the Hondo brand name. Hondo gets little respect from most guitar aficionados, but it really should, both because it contributed quite a bit to guitar history and actually made some pretty good guitars (though not all, it must be admitted).

Hondo was founded by Freed and Tommy Moore in 1969 with the intention to open up guitar production in Korea, at that time a non-player in the guitar game. Japan had taken over from Europe as the primary supplier of budget-level guitars during the 1960s. However, even by the late ‘60s the success of the Japanese was being eroded by their very success and the strength of the yen. Americans, mostly as an after-effect of World War II, had little respect for Japanese products and weren’t willing to pay much for them, even if they were pretty good. When Nixon cut the dollar loose to float with other currencies on the free market, the yen went up, making Japanese products increasingly expensive, a problem in a prejudiced, price-sensitive market like the US.

1983 Hondo Paul Dean II Electric Guitar (Hondo PD-2)

So, Jerry and Tommy went to Korea and hooked up with a small guitarmaker there that would become, I’m pretty sure, Samick. Japanese engineers from Tokai were brought in to help improve the operation and the Hondo brand was born. Named for the John Wayne western (and late ‘60s TV show). Not unlike the brand name featured here!

Hondo was initially known for its really crappy but cheap acoustics, but then picked up the low end of the copy era. Although by the mid-‘70s it was marketing some better models still made in Japan by Tokai. By the late ‘70s and into the ‘80s Hondo was making some pretty interesting “original” designs.

It was at this point in time when Hondo was hitting its stride that Paul Dean and Hondo crossed paths. As far as I know, this was Hondo’s first (and perhaps only) foray into celebrity endorsed guitars.

There actually may have been as many as three Hondo Paul Deans. There was one made from the Canadian prototypes which was apparently never promoted and probably pretty rare. In the June 1983 catalog the Paul Dean II and III were listed. The PD-2, shown here, had two DiMarzio Super II humbuckers and a BadAss-style stop tailpiece. The PD-3 had three single-coils and a traditional-style vibrato. Both had a black textured metal pickguard and came in a cherry finish with a 24-3.4” maple fingerboard over a 3-piece maple neck. Despite the respectable horse-power provided by DiMarzio, I’m pretty sure these guitars were made in Korea, because Japanese guitars of 1983 had pretty fine workmanship, which this lacks. It’s not at all bad, just not top-notch Tokai.

1983 Hondo Paul Dean II Electric Guitar (Hondo PD-2)

The Hondo Paul Dean II shown here lasted only about a year, if that. It was not in the 1984 catalog. The Paul Dean III was still listed in ’84. Both are probably quite rare and almost never seen. And close to the end of the line for Hondo.

In 1985 IMC signed an agreement with Charvel/Jackson guitars to market its Charvel line made in Japan. Let’s see. Charvel? Hondo? Which would you choose? Like a bad guy in a John Wayne western (or any by Clint), Hondo bit the dust. The brand’s fate was forever sealed when IMC bought the Jackson company in 1986. Who you gonna call? Not Hondo.

In any case, Paul Dean had bigger fish to fry. He hooked up with Dennis Berardi and Kramer guitars, which was on its way to becoming the largest guitar company in the world. In 1986 the Kramer Paul Dean debuted. But that’s another story.

Loverboy continues to perform. I still like ‘80s music, but only from the ‘80s. And only on the shuffle feature on my iPod. I’m increasingly pulled back to acoustic music from the ‘20s and ‘30s… Sorry Loverboy. But I still do like this Paul Dean II, and it’s a cool—and rare—piece of guitar history! Makes it all worth while working for the weekend…

Workin’ for the Weekend. No really! (The Story of Hondo Guitars) from MyRareGuitars.com