Everyone listed here could easily be seen as a great guitar player if they were in somebody else’s band. In fact, some of the examples I chose to link to here ARE songs where the guitar player is doing a cover version, or a song written or sung by someone else in their band. While some are the artist’s own creations, I picked some covers here for a couple reasons:

A lot of these guitarists seemed to cut loose often on songs they didn’t write. But since this is a column about their guitar playing, I wasn’t that concerned with whether or not it was a song they wrote.

So, as a note: Some of these songs are, in fact, written by the artist in question – or at least by their own band – but I wasn’t bound by this as a requirement. Also, this is not at all meant to be anything close to a comprehensive list. So, please, feel free to add some of your own underrated guitar players in the comments section. Thanks!

On to the players, in no particular order:

Prince: “While My Guitar Gently Weeps” (live)

A songwriter who penned a ton of classics over the years, Price is known justifiably as one of the great songwriters of his generation. And his own catalog has plenty of examples of not only his great lead playing, but also his often sophisticated and subtle rhythm playing. But it was hard to gain a full appreciate of Price as a guitarist unless you got to see him live, where he tore into several memorable solos a show.

Here he is during the Rock and Roll Hall of Fame induction performance for George Harrison. While I don’t think this solo on “While My Guitar Gently Weeps” is necessarily better than Clapton’s incredible solo (one of the best of his storied career) on the original version (I’m not a big believer in saying what’s better when both are brilliant), it definitely holds its own in a very original and exciting way.

Bruce Springsteen: “Because the Night” (from an appearance on Jimmy Fallon) and/or his Grammy wining duet with Warren Zevon, “Disorder in the House” (off Zevon’s final album The Wind). 

Here’s a guy who started his career as a young hotshot lead guitar player on the Jersey Shore scene. Eventually, he would become known more for his songwriting (justifiably), but these performances show his aggressive, high-energy style. Also, killer tone out of his Tele (and out of his main guitar—a modified vintage Esquire with the Tele neck pickup added that often gets mistaken for a vintage Tele) and Bassman. Check out the first solo on the Zevon tune at 1:27. It burns, and it may not even be his best solo on the song.

Jeff Tweedy (Wilco): “Spiders (Kidsmoke)” off A Ghost is Born.

Wilco has lived a charmed life as far as their main lead guitar players go. Both Nels Cline and Jay Bennett are/were brilliant players in different ways. But for one record, Jeff Tweedy was the lead (and, on tour, only) guitar player. And while the album has quite a few high water marks, guitar-wise (“At Least That’s What You Said”, which explodes from a stunning ballad to a Dinosaur jr./Neil Young and Crazy Horse blowout), it’s on this ten plus minute track that Tweedy really shines.

With both the fills in the verses and over several solos, Tweedy manages to play an angular, unexpected, and unique guitar. The tone is fabulous and the solos manage to cover several minutes of the long track without a single cliché. This song announced Tweedy as more than just a supremely gifted singer/songwriter, but also a guitar player who wasn’t like anyone else. Check this one at, especially what starts around the five-minute mark.

Ira Kaplan (Yo La Tengo): “Today is the Day” (live)

As with anyone on this list, a person could pick any number of songs that showcase the player’s greatness. There are several songs in the YLT catalog that show off Kaplan’s melodic side better than this—but it’s his ability with catchy melody and dissonance where he often shines. Check out the frenzied, aggressive, and altogether cliché-free solo that starts around the 3:15 mark. You’d be hard pressed to find a player more capable of hitting that blissful point where melody and unhinged noise come together. So much beauty coming from so much Jazzmaster abuse.

Bob Mould (Sugar / Husker Du): “Shoot Out the Lights” (live)

Mould is, understandably, known for his chainsaw rhythm guitar and outstanding songwriting in the seminal Husker Du, and for his more textured, cleaner work in Sugar and as a solo artist. He’s been writing great music for over thirty years now, and there are any number of his own tunes (again) I could use here as examples. Instead, I’m going with his live cover of the Richard Thompson classic, “Shoot Out the Lights.” The reason? For one, anyone who can hold their own while covering Richard Thompson is almost by definition a great guitar player.

Thompson is one of a kind, and it takes some guts to even try this, let alone succeed as well as Mould does here. Jagged, dramatic, and unexpected—this is one hell of a performance.

By Rob Roberge

www.robroberge.com

Five Great Guitarists Not Known for Their Guitar Playing from MyRareGuitars.com

This doesn’t mean you NEED two guitars to make a great band—I’d be leaving off a lot of great guitar music if I scratched Hendrix, Cream-era Clapton, The Who, early Uncle Tupelo and a ton of other great bands. Nor do you need to have the kind of two-guitar interplay I’m talking about to have a great band—there are fabulous bands with two guitars playing standard rhythm-lead arrangements that don’t fall into the category I’m talking about here. Bands like CCR, the Beatles, the Byrds, Big Star, the Replacements and the Kinks are filled with great guitar work. But great guitar work done (usually) in the traditional rhythm/lead style.

No, I’m talking here about bands where the two guitars are so intertwined, so filled with communication that the players seem to be operating on a telepathic level when playing. There’s nothing quite like it (for the player or audience) when two guitars really have that going on.

Here’s a list of some great twin-guitar bands. I’m not claiming these are the GREATEST twin-guitar bands, as music is largely an issue of taste. And my greatest is not your greatest. For instance, while I greatly admire the dual-guitar work on King Crimson’s DISCIPLINE record, I don’t really love the record, so it’s not on the list. But that’s no dig on the talent and ability and chops of Belew and Fripp—you’ll find a bunch of players on this list who are, technically, nowhere near as good as the guys in Crimson. But here are some bands who, if you love dual-guitar, you just might love. Some of them are big and you’ll have heard of them, some of them should be bigger and you might want to check them out. In no particular order:

• The Rolling Stones: While there may not be a “particular order” you kind of have to put them first because, well, they’re the Stones…not named “The World’s Greatest Rock & Roll Band” for nothing. While early Stones is incredible, and Brian Jones had a wonderful genius for playing, well, for playing things that weren’t guitars (sitar, dulcimer, and so on), the band really starts becoming a major two-guitar band in the Mick Taylor years (1969-74). Listen to the interplay that drives through EXILE ON MAIN ST and you’ll hear Richards and Taylor at their best. Ron Wood, the “new guy” (all 34+ years of being the new guy) is no slouch, either.
  

  Richard Hell & the Voidoids on stage at CBGB in 1976

• Richard Hell and the Voidoids (first album, especially): Ivan Julian and the late, great Robert Quine offer up a killer dose of dueling guitars on the first album. Great tones, great playing and great intertwining parts—while showing each player’s distinct style in their solos. Check out the traded leads on “The Kid with the Replaceable Head” and tell me you don’t love guitar.
• The Dream Syndicate: For their whole career, but especially on the still fresh and incredible sounding DAY OF WINE AND ROSES. The original lineup of the band (with Karl Precoda and Steve Wynn on guitars) brought back long guitar songs—reclaiming them from boring patchouli drenched jam bands and given them back to rock and roll. Examples? The title track, with Precoda torturing a Harmony-made Silvertone awash in feedback, or “Halloween” with Wynn showing us why those plinky Jazzmasters are such great guitars when used right. And they are used right here.
• Luna: Again, most of their recorded work. But the live version of “23 Minutes in Brussels” from the fine movie of their final tour TELL ME DO YOU MISS ME is a good place to start. They were always a great night out for lovers of guitar (or of great songs) and this has some great live footage of underrated guitarists Dean Wareham and Sean Eden (along with a fabulous rhythm section…actually every band on this list has a great rhythm section, which should tell you something about what guitar players need to soar) making some great guitar rock. Also, anyone who doesn’t own PENTHOUSE has missed out on some of the best music of the last 15 years. I wouldn’t stop there, but it’s not a bad start.
• Neil Young & Crazy Horse (especially in the Danny Whitten era): Later versions of the band have Young handling (quite capably, btw) all the lead guitar. But to listen to the interplay between Young and Whitten on EVERYBODY KNOWS THIS IS NOWHERE is a true joy.
  

  Johnny Thunders & the Heartbreakers

• Johnny Thunders and the Heartbreakers: Maybe a surprise pick, but damn if LIVE AT THE SPEAKEASY doesn’t show the 2nd-Generation Heartbreakers (after Richard Hell left) as one of the great two-guitar bands of all time. Walter Lure and Johnny Thunders learned all (or at least most) of what was great about Chuck Berry, Keith Richards and R&B and tossed it into this great mix. If there had been less heroin and better lyrics in this band, they might have conquered the world.
• Television: Wow, three bands that Richard Hell was a part of at one point (though he isn’t on any of the classic Heartbreaks or Television material). But Tom Verlaine and Richard Lloyd set the bar for punk-era dual guitar bands. Listen to the majesty of the building guitars of the title track on MARQUEE MOON, or the incredible intertwining guitars on “See No Evil” or “Prove It.” One of the all-time great bands for guitar-heads. These two guys play together, as Richard Lloyd once said, “like the gears of a watch.” No doubt.
• Wilco: Another, perhaps, surprise pick. And while, if I had to choose (and I’m glad I don’t), I’d take the Jay Bennett era Wilco over any other lineup, the current lineup is a better live band and able to show off a range than would stun most rock bands. Nels Cline has been showing the world what had been one of LA’s biggest secrets prior to his joining Wilco—that he’s one of the best guitar players alive. A man able to play a three hour show and not play a cliché. Not easy. And for anyone who doubts Jeff Tweedy is a great guitar player, listen to “Kidsmoke” (off A GHOST IS BORN) and tell me differently. One of the great guitar songs of the last ten years. Also, check out any live footage of the current band doing “Impossible Germany” which blends not two, but three guitars (thanks to multi-instrumentalist Pat Sansone) in about a beautiful a fashion as possible.
  

  The Velvet Underground and Nico in 1966

• The Velvet Underground: Really, any of the records, but check out how Reed’s “ostrich” guitar (the strings all tuned to one note) and Sterling Morrison’s standard-tuned guitar go together on the classic “Run, Run, Run” or the gothic drone of “All Tomorrow’s Parties.” Or, to jump to the third album, the classic rhythm/lead combo of “What Goes On.”

So, there you go. A short starter-list of great two-guitar bands. Buy some CDs, or download the MP3s or add it to your phone or the chip in your head or whatever it is you kids do to get music these days. But, remember, PAY the artist for it!

Two Guitar Bands from MyRareGuitars.com